Here’s a gift for Matriarch users who are tired of trying to memorize global functions or who want realtime tactile control over some of the hidden features of the Moog Matriarch which are available ONLY through Midi.
Part 1 – Basic Setup and How to edit Touch OSC Midi CC parameters.
INDEX:
More about Touch OSC here:
Here’s a gift for Matriarch users who are tired of trying to memorize global functions or who want realtime tactile control over some of the hidden features of the Moog Matriarch which are available ONLY through Midi.
I’ll be posting a deep dive video into Midi CC, Sysx messages and the moog Matriarch, Mother 32 and Subharmonicon in the coming weeks….but for now, enjoy the template!
More about Touch OSC here:
INDEX:
00:02 Introduction & Demos
02:15 Setting up an OSC to function as a Clock Generator
04:25 Key Tracking a Clock
04:45 Pitch Frequency Theory and how it relates to our “clock” Generators
06:15 Using Pitch (keyboard) to generate rhythms
06:44 Keytracking an LFO or the Matriarch Sequencer
08:00 Patch Setup Summary
08:59 Modulating PulseWidth or Gate Length
10:38 Keeping rhythm consistent – Stopping Oscillators from key tracking
12:01 Patch 2: Crazy rhythm Arp – Clocking Arpeggiator with an Oscillator
14:30 Patch 3: One Note Rhythms – Clocking Sequencer with Oscillator
18:01 Patch 4: 4 Oscillator Sync Gate Sequencer Setup
21:30 Oscillator Sync Explained
24:17 Demo of how Oscillator Sync can syncoronize Clock Signals
26:04 Patch 4 continued
03:27 Clocking other Synths with the Matriarch
The passive Mixer/Attenuators i sue in the video are called Splix by Boredbrain music. You can get them at most synth/music stores or directly from their website: https://boredbrainmusic.com/product/s…
Gear Used:
Moog Matriarch
Splix – passive attenuator/mixer
Moog DFAM
Roland System 500
UA Lexicon 224 Reverb
Massive, Dark, Wobbly and…Lovely! There’s a reason Reese Bass has become a staple in electronic music.
Index:
00:02 Introduction
00:43 Oscillator Voicing
01:07 Filter Setup
01:18 Setting Up VCA and Envelopes
01:35 Patching an LFO as a Suboscillator
02:25 Oscillator Frequency Modulation
03:23 Keyboard Tracking to Modulate FM Rate
04:44 Delay Modulation
05:40 Patching Aftertouch
08:08 Outro
Gear Used:
Moog Matriarch
Massive, Dark, Wobbly and…Lovely! There’s a reason Reese Bass has become a staple in electronic music.
Index:
00:02 Introduction
00:43 Oscillator Voicing
01:07 Filter Setup
01:18 Setting Up VCA and Envelopes
01:35 Patching an LFO as a Suboscillator
02:25 Oscillator Frequency Modulation
03:23 Keyboard Tracking to Modulate FM Rate
04:44 Delay Modulation
05:40 Patching Aftertouch
08:08 Outro
Gear Used:
Moog Matriarch
Donk Bass – Very common bass sound used in EDM
INDEX:
00:02 Demo
00:28 Intro
01:15 Setting up Filter as VCO
02:36 Setting Up Amp Envelope
02:53 Setting up Frequency Modulation
05:20 Setting up Envelope modulation for Modulation Wave
06:46 Filter Feedback
Gear Used:
Moog Matriarch
Moog DFAM
Trying out a patch from Xfer Serum on the Moog Matriarch.
Index:
00:02 Intro
00:29 Demo
01:25 About the Serum patch
02:50 Matriarch Setup
04:43 Patching Filter Modulation
06:00 Patching LFO as Sub Oscillator
06:40 Bypass filter and patching to VCA for Parallel Mix
08:03 Patching Noise to add “air”
08:58 Patching “makeshift” chorus
10:20 Performance Tips
10:48 Square Wave as Sub OScillator
11:32 About Matriarch Firmware – Sync Modulation to SEQ
12:08 Outro
Gear Used:
Moog Matriarch
Xfer Serum
This is the 3rd video in Matriarch bass patch deep dive series.
A focus on techniques to recreate/lift sounds from recordings.
Index:
00:02 – Intro
01:30 – A bit about recreating/lifting from a recording
01:58 – Patch Comparison – Recreating on Other Synths
04:31 – Recreating on Moog Matriarch – Voice & Sequence
05:55 – Recreating the Percussive Attack
07:43 – Recreating Filter Modulation
12:49 – Recreating Delay
14:50 – Compare with original
16:33 – Reworking the voice
17:55 – Reworking Envelopes and Attacks
20:10 – Sculpting the sound with EQ
23:19 – Reworking Delay
25:20 – Outro
Gear Used:
Moog Matriarch
Softube Console 1 (Eq)
Arturia Spark Drum Sampler
Moog Subsequent 37
Moog Mother 32
Behringer Model D
Dave Smith Instruments Mopho X4
Serum (software synth)
Roland re-201 Space Echo
Another fun bass patch for the Moog Matriarch. In this video i try to replicate a worn out tape delay with the Matriarch’s onboard (awesome) delay.
Index:
00:02 Intro
00:48 Building the Synth Voice – Oscillator settings
01:23 Setting up the Filter
01:57 Envelope Settings
02:31 Modulating Pulse Width
03:48 Patching Delay
04:49 Modulating Delay Time
05:35 Simulating Tape Splice
06:53 Simulating Worn out Tape
08:00 More Modulation Ideas
10:15 Bipolar vs Unipolar Square LFO
12:20 Outro
Gear Used:
Moog Matriarch (no processing or fx)
Arturia Spark (drums in intro)
