This patch builds on the last patch i posted. I’veadded drums to the patch by using the Matriarch’s 2nd LFO as a kick drum and Noise output as snare and hi hats.
Make Noise MATHS is working as a gate delay/clock divider. (it isn’t always perfect so can yield some unexpected and surprising results)
Gear Used:
Moog Matriarch
Make Noise Maths
Intellijel Quad VCA
Mutable Instruments Stages (as Voltage Controllable Envelope Generator)
A few years ago I put together a few tutorial videos for a music college I teach at.
While making the videos, I wrote a few tunes using an absolutely beautiful vintage Minimoog. I bought a Behringer Model D a few months ago and decided to see if i could recreate those tunes with the Behringer.
This video is not meant as a strict comparison between the two synths….I did it because i wanted to see how close i could get to those tunes.
Looping Envelope Generators modulate the 2 onboard VCFs and VCAs (which are in SPLIT MODE).
A 2 independent voice patch. Voice 1 is OSC 1&2 (sent to VCF 1 and VCA 1 using a splitter mixer or mult) Voice 2 is OSC 3&4 routed to VCF and VCA 2 using the MAtriarch’s internal mixer and routing.
LFO 1 Modulates the ARP rate (attenuated), LFO 2 rate and the delay times for both Delay 1 and 2 (attenuated and inverted)
LFO 2 is then patched back into the RATE In on LFO 1 to create more variation and randomization.
Pitch is generated by what you play on the keyboard…so can be fairly diatonic or as random as you want depending on what you play.
A Patch based on an idea from the DFAM manual which uses the PITCH SEQUENCER to control noise volume (Snare/Clap).
Mult PITCH out to DFAM NOISE LEVEL & CV Mixer or Attenuator/Inverter.
Invert PITCH SEQ CV and send to DFAM VCA DECAY IN.
Higher values on Pitch Sequencer will then make snare louder but also shorter and “snappier”.
In the video I use a Happy Nerding 3xMIA to invert, mixand offset CV, but almost any CV mixer will work fine…Make Noise Maths, Doepfer a-138, Planar….pretty much anything will do.
Using Matriarch’s onboard mixer as CV mixer to combine CV from Envelope Generators to create accents/dynamics, complex rhythmic patterns and polyrhythms.
Patch also uses a bunch of FM and short Delay times (from Matriarch’s awesome delay) to create a metallic sound.
This is the first patch in a series of generative patches I’ll be posting in the next few weeks inspired by the infamous Krell patch.
Looping Envelopes drive the ARP/SEQuencer, MODULATION wave, VCFs and VCAs….and it’s a simple patch!
The Moog Matriarch does not have CV control over the ATTACK or RELEASE of it’s Envelope Generators…so manually altering the ATTACK and RELEASE will create different rhythms.