Patches

INDEX:

00:02 Introduction & Demos

02:15 Setting up an OSC to function as a Clock Generator

04:25 Key Tracking a Clock

04:45 Pitch Frequency Theory and how it relates to our “clock” Generators

06:15 Using Pitch (keyboard) to generate rhythms

06:44 Keytracking an LFO or the Matriarch Sequencer

08:00 Patch Setup Summary

08:59 Modulating PulseWidth or Gate Length

10:38 Keeping rhythm consistent – Stopping Oscillators from key tracking

12:01 Patch 2: Crazy rhythm Arp – Clocking Arpeggiator with an Oscillator

14:30 Patch 3: One Note Rhythms – Clocking Sequencer with Oscillator

18:01 Patch 4: 4 Oscillator Sync Gate Sequencer Setup

21:30 Oscillator Sync Explained

24:17 Demo of how Oscillator Sync can syncoronize Clock Signals

26:04 Patch 4 continued

03:27 Clocking other Synths with the Matriarch

The passive Mixer/Attenuators i sue in the video are called Splix by Boredbrain music. You can get them at most synth/music stores or directly from their website: https://boredbrainmusic.com/product/s…

Gear Used:

Moog Matriarch

Splix – passive attenuator/mixer

Moog DFAM

Roland System 500

UA Lexicon 224 Reverb

Massive, Dark, Wobbly and…Lovely! There’s a reason Reese Bass has become a staple in electronic music.

Index:

00:02 Introduction

00:43 Oscillator Voicing

01:07 Filter Setup

01:18 Setting Up VCA and Envelopes

01:35 Patching an LFO as a Suboscillator

02:25 Oscillator Frequency Modulation

03:23 Keyboard Tracking to Modulate FM Rate

04:44 Delay Modulation

05:40 Patching Aftertouch

08:08 Outro

Gear Used:

Moog Matriarch

Massive, Dark, Wobbly and…Lovely! There’s a reason Reese Bass has become a staple in electronic music.

Index:

00:02 Introduction

00:43 Oscillator Voicing

01:07 Filter Setup

01:18 Setting Up VCA and Envelopes

01:35 Patching an LFO as a Suboscillator

02:25 Oscillator Frequency Modulation

03:23 Keyboard Tracking to Modulate FM Rate

04:44 Delay Modulation

05:40 Patching Aftertouch

08:08 Outro

Gear Used:

Moog Matriarch

Donk Bass – Very common bass sound used in EDM

INDEX:

00:02 Demo

00:28 Intro

01:15 Setting up Filter as VCO

02:36 Setting Up Amp Envelope

02:53 Setting up Frequency Modulation

05:20 Setting up Envelope modulation for Modulation Wave

06:46 Filter Feedback

Gear Used:

Moog Matriarch

Moog DFAM

Trying out a patch from Xfer Serum on the Moog Matriarch.

Index:

00:02 Intro

00:29 Demo

01:25 About the Serum patch

02:50 Matriarch Setup

04:43 Patching Filter Modulation

06:00 Patching LFO as Sub Oscillator

06:40 Bypass filter and patching to VCA for Parallel Mix

08:03 Patching Noise to add “air”

08:58 Patching “makeshift” chorus

10:20 Performance Tips

10:48 Square Wave as Sub OScillator

11:32 About Matriarch Firmware – Sync Modulation to SEQ

12:08 Outro

Gear Used:

Moog Matriarch

Xfer Serum

This is the 3rd video in Matriarch bass patch deep dive series.

A focus on techniques to recreate/lift sounds from recordings.

Index:

00:02 – Intro

01:30 – A bit about recreating/lifting from a recording

01:58 – Patch Comparison – Recreating on Other Synths

04:31 – Recreating on Moog Matriarch – Voice & Sequence

05:55 – Recreating the Percussive Attack

07:43 – Recreating Filter Modulation

12:49 – Recreating Delay

14:50 – Compare with original

16:33 – Reworking the voice

17:55 – Reworking Envelopes and Attacks

20:10 – Sculpting the sound with EQ

23:19 – Reworking Delay

25:20 – Outro

Gear Used:

Moog Matriarch

Softube Console 1 (Eq)

Arturia Spark Drum Sampler

Moog Subsequent 37

Moog Mother 32

Behringer Model D

Dave Smith Instruments Mopho X4

Serum (software synth)

Roland re-201 Space Echo