A Patch based on an idea from the DFAM manual which uses the PITCH SEQUENCER to control noise volume (Snare/Clap).
Mult PITCH out to DFAM NOISE LEVEL & CV Mixer or Attenuator/Inverter.
Invert PITCH SEQ CV and send to DFAM VCA DECAY IN.
Higher values on Pitch Sequencer will then make snare louder but also shorter and “snappier”.
In the video I use a Happy Nerding 3xMIA to invert, mixand offset CV, but almost any CV mixer will work fine…Make Noise Maths, Doepfer a-138, Planar….pretty much anything will do.
Using Matriarch’s onboard mixer as CV mixer to combine CV from Envelope Generators to create accents/dynamics, complex rhythmic patterns and polyrhythms.
Patch also uses a bunch of FM and short Delay times (from Matriarch’s awesome delay) to create a metallic sound.
This is the first patch in a series of generative patches I’ll be posting in the next few weeks inspired by the infamous Krell patch.
Looping Envelopes drive the ARP/SEQuencer, MODULATION wave, VCFs and VCAs….and it’s a simple patch!
The Moog Matriarch does not have CV control over the ATTACK or RELEASE of it’s Envelope Generators…so manually altering the ATTACK and RELEASE will create different rhythms.
This is a quick and easy patch, good for live or a “patch-on-the-fly” situation.
The pitch in for oscillators on the Matriarch are normalled…so patching a CV signal into an OSC will affect the pitch of the oscillators to the right. This patch takes advantage of that by attenuating a pitch CV signal from the ARP therefore “freezing” the oscillators at a stagnant pitch. Tune the oscillators to whatever intervals you want and use the ARP to control the pitch of OSC 1.
There’s tons of variations that can be done with this…after setting up basic basic, i patch OSC 1 WAV out to an ATTENUATOR (acts as volume control) then in to VCF 1 in and MIXER out to VCF 2 in. Then the ARP voice and Drone voices have their own filters. I then patch LFO 2 into the cutoff for VCF 2 to modulate the Drone filter. By patching VCF 1&2 out to VCA 1&2 IN respectively,Setting VCA mode to Split you can then have separate EGs for both voices as well.
Here’s a patch i came up with using a Moog DFAM’s trigger out to create 2 independent pitch sequences using Make Noise Maths. An easy way to expand on the DFAM’s capabilities and a fun way to come up with arpeggios or sequences you may never think of using a conventional sequencer or playing an instrument…also a good way to get more pitch CV if you’re out of outputs.
This technique will work with any gate/trigger signal and any slew limiter or Envelope Generator….but here’s what I used this time:
Moog DFAM
2 Moog Mother-32s
Make Noise Maths
Intellijel Scales (Quantizer)
Intellijel Buffered Mult
“Bonus” Gear:
Intellijel Quadrax
Mutable Instruments Stages (as clock divider)
Mutable Instruments Ears (as switch/trigger for clock divider)
How to turn Gates to Pitch using an Envelope Generator.
A fun way to come up with arpeggios or sequences you may never think of using a conventional sequencer or playing an instrument….also a good way to get more pitch CV if you’re out of outputs.
In this video i used Intellijel Quadrax, In Part 1 i used Make Noise Maths.
Required Gear:
Gate generator – (Trigger, Gate out of Module, Pulse LFO…almost anything will do…bipolar LFOs produce odd results, but that may be what you’re going for!)
Envelope Generator – Used an Intellijel Quadrax in this video, but any AR will do…Maths (in part 1), Stages….just about any will do, but must be able to turn off/ignore re-trigger on Rise/Attack.
VCO (i used Moog Mother-32 for tutorial…and Roland 512 for demo at end)
Quantizer (I used Intellijel Scales and Expert Sleepers Disting, but any decent quantizer will do)
CV Mixer – will need to attenuate/offset and/or invert CV – I used Happy Nerding 3xMIA. Maths will of course work as will many other CV mixers.
A LOT of multiples!
Other Gear Used:
Doepfer a-101-2 Low Pass Gates
Mutable Instruments Stages (as a probability switch)
Intellijel Bifold – just a cool way to animate the Mother-32s Saw Wave